What can I say about “The Events of October”? As a student
at Kalamazoo College, this book reads unlike anything I’ve ever read before. I
know the places. I’ve met many of the characters. The narrative hits close to
home. As a male student from a different generation, this book also has a
strange dissonance. As I try to relate to the people and events I find myself mentally
walking in their shoes at one point, yet by the next page I’m lost in a dark
and surreal story that feels so very
far from my own. It is a hard book to read. It was hard the second time as well.
However, I’ve mentioned on a few occasions in this class, that the hard reading
is often the most valuable.
I have a lot of respect for Gail Griffin as a teacher and
friend, and I have to admit that our relationship biases my reading of her
work. While I find many of the aspects of this book to be profoundly well done –
like her meticulous record keeping and her ability to weave interview with her
personal reflection – a friend of mine recently reminded me that my opinion of
the book is not universal. To my friend, an educated and passionate writer
herself, "The Events of October" is “invasive” and makes her “uncomfortable on a
lot of levels”. Her reaction got me thinking. How does one reconcile the ethics
of telling this type of story? How do others, maybe Kalamazoo College
outsiders, react to this very intimate telling of a very tragic event and its
aftermath? How can we weigh the social and human benefits and costs of
narrative nonfiction like this?
This book is an inspiration to me as a writer. It is so well
crafted and also dances so closely with many edges of my personal (and adapting)
philosophy that it keeps me up at night – in more ways than one.
Wonderful questions, Paul. I hope you raise them in class.
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